Tatá D’Andréa is a Brazilian composer with versatile and incredibly sensorial compositions. He went through several phases of musical experimentation. With freedom of creation and style he express himself without rationalization guiding the listener through a synesthetic experience. The ingredients are as diverse as possible, such as film clips, field recordings, vinyl samples and historical recordings.

Tubes and Bits The name of the debut album defines the musical proposal. Tubes = past. An organic approach using analog sounds from the 70s, such as vacuum tube guitar amps, vintage Gibson and Fender guitars rhyming with semi-modular Moog synthesizers. Bits = future. Binary code, electronic music, Japanese hi-tec instruments, samplers and digital synthesizers.

His music transcends categorization fusing opposite ends of the spectrum.